Herge Studios had aforesaid Peter Jackson would helm first pic
Although Brussels' Herge Studios seems to think otherwise, Steven Spielberg remains committed to directing the first in a aforethought "Tintin" trilogy for DreamWorks. It will be his next directing effort after this summer's $780
Monday, 8 September 2008
Tuesday, 19 August 2008
Download Domingo quinones mp3
 Artist: Domingo quinones: mp3 download Genre(s): Latin Vocal Discography:  The Best... Year: 2002 Tracks: 12  Poeta Y Guerrero Year: 2000 Tracks: 9  Quien Mato A Hector Lavoe? (Who Killed Hector Lavoe?) (1999 Original Off-Broadway Cast) Year: 1999 Tracks: 28  Se Necesita un Milagro Year: 1997 Tracks: 11  Mi Meta Year: 1996 Tracks: 11  Pintando Lunas Year: 1992 Tracks: 10 During the '90s, Domingo Quiñones became one of the biggest salsa stars in Puerto Rico, a combination singer/songwriter with an aggressive, intense resilient carry which earned accolades in Latin America as well as the United States. Thanks to a melodic teaching courtesy of his parents, Quiñones grew up tattle traditional forms such as Cuban charangas, as well as mainline salsa. By the time of his debut album, 1990's ...Es Mi Nombre, the singer was good in salsa, bachata and rumba as advantageously. After overcoming a drug-dependency trouble with a religious conversion, Quiñones became a popular performing artist in Puerto Rico with subsequent albums such as En La Intimidad and Se Necesita un Milagro. |
Saturday, 9 August 2008
PNAU is the time for Elton
ELTON John has proved to be more than a vocal champion for Sydney dance pop duo PNAU, signing the band to the London management company which oversees the superstar.
Sir Elton hasn't been able to stop singing PNAU's praises since actress Toni Collette - who shares an Australian agent with the band - suggested he check them out while on tour here last December.
He bought dozens of copies of their self-titled third album and has since kept in close contact, reports the Daily Telegraph's Kathy McCabe.
Back home briefly for the Splendour In The Grass festival this weekend and their own tour next week, Nick Littlemore and Peter Mayes said Sir Elton wasn't personally managing their affairs but has been an invaluable adviser.
"We talk more about art than business and hopefully introducing us to that part of London, artists like Damien Hirst, Tracey Emin and Sam Taylor-Wood," Littlemore said.�
But before they take the London art and music worlds by storm, there have been plenty of home-cooked meals - by Sir Elton's personal chef - and morale-boosting as PNAU start from scratch in a town renowned for sledging Antipodeans with aspirations.
"The first time he called me, the only thing I wanted him to do was play some piano for us and he still hasn't!" Littlemore said.
"His tenacity is something we admire because it's something we have had from day one, always trying to do something new.
"And when we're worried about money and how much it is going to cost to record there, he reminds us we'll be able to use the studio he is building there."
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Tuesday, 1 July 2008
Tuesday, 24 June 2008
John Mayer: You Lika Tha Juice?
Move over Roger Clemens, John Mayer wants to be a huge star too!
The adult contemporary staple walked out of a Beverly Hills medical building on Wednesday, carrying a bag with the words "experimental human growth hormones" scribbled across it.
John -- your tatted-up muscles look just fine as is.
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The adult contemporary staple walked out of a Beverly Hills medical building on Wednesday, carrying a bag with the words "experimental human growth hormones" scribbled across it.
John -- your tatted-up muscles look just fine as is.
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Thursday, 19 June 2008
How You Say Partridge en Francais?
He's considered by many as the French Elvis -- but last night the only celeb our cameraman was comparing Johnny Hallyday to was Danny Bonaduce.
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Coldplay praise Radiohead for pioneering new styles of album releases
Coldplay have praised Radiohead for pioneering new styles of album releases, but insist they won’t follow in their footsteps by giving away albums on the internet or short announcement releases.
The band’s frontman, Chris Martin, says he enjoys being signed to a major record label, but compared it to “living in your grandparents’ house” and said it’s inevitable the band will one day leave EMI.
He says, “Being on a major label at the moment is like living in your grandparents’ house.
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Director-producer-actor Sydney Pollack Dies At 73
Multi-hyphenated filmmaker Sydney Pollack, who won a director's Oscar for 1985's Out of Africa and received nominations for directing 1969's They Shoot Horses Don't They? and 1982's Tootsie, died Monday after a year-long battle with cancer. He would have turned 74 on July 1. Pollack also produced numerous films, including last year's Michael Clayton, in which he also had a prominent acting role, portraying George Clooney's lawyer boss. In a statement, Clooney said, Sydney made the world a little better, movies a little better and even dinner a little better. ... He'll be missed terribly."
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Spencer Not Shooting Blanks
Heidi and Spencer say they've been taking lessons at the shooting range, learning how to handle guns.
You thought it, not us.
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You thought it, not us.
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Peter White
Artist: Peter White
Genre(s):
Jazz
New Age
Discography:
Glow Borders Edition
Year: 2001
Tracks: 13
Glow
Year: 2001
Tracks: 11
By Candlelight
Year: 2000
Tracks: 14
Caravan Of Dreams
Year: 1996
Tracks: 1
Reflections
Year: 1994
Tracks: 10
Promenade
Year: 1993
Tracks: 11
Reveillez-Vous
Year:
Tracks: 10
Perfect Moment
Year:
Tracks: 10
Excusez-Moi
Year:
Tracks: 11
Old School Slow Jams
Artist: Old School Slow Jams
Genre(s):
Rap: Hip-Hop
Discography:
Slow Jam Mix - Jodeci, Keith Sweat, Isley Bros., Marvin Gaye
Year:
Tracks: 1
Getting to the heart of multifaceted Noel Coward
"He's been in and out of favor over the years. He's either the hottest thing or really passé."
That would be the late actor-writer-composer-director Sir Noel Coward, as described by his ardent fan, David Ira Goldstein.
Several years ago, Goldstein launched a campaign to introduce Coward's oeuvre to modern audiences. He also wanted to entice people who only know Coward by his most enduring play, "Private Lives," or best-known movie, "Brief Encounter," to check out the multifaceted Englishman's legacy. That led to "A Marvelous Party," the award-winning, much-traveled "celebration of Noel Coward," which opens a run at ACT Theatre this week. The ACT staging is by Goldstein, who co-created the show with its original cast, Carl Danielsen, Mark Anders, Patricia Wilcox and Anna Lauris.
The artistic head of Arizona Theatre Company for the past 16 years, and formerly associate artistic director of ACT, Goldstein knows Coward may seem utterly retro.
As has been often said, Noel Coward (who lived from 1899 to 1973) virtually invented "Englishness" for the 20th century.
Rising from humble middle-class origins, Coward in the 1920s and '30s became a dapper blade, a theatrical jack-of-all-trades, and a toast of London and New York cafe society. (Or as Coward jested, "Nescafé Society).
But, insists Goldstein, "Coward wasn't just that famous image of the guy in the tuxedo, holding a cocktail glass. He was much more accomplished and eclectic than a lot of people realize."
Coward also was industrious — and, despite the party-boy image, highly disciplined. "Work is much more fun than fun," was one of his pithy epigrams.
Accordingly, he authored more than 50 published plays, composed scores of songs, wrote and appeared in numerous hit films, turned out novels, memoirs and reams of correspondence. For good measure, late in his career he also played swanky nightclubs as a solo act.
Coward embodied a certain soigné style and withering wit that became a hallmark of British élan and gay camp. (Given England's anti-gay laws and homophobia during his life, he kept his own homosexuality private.)
But his characters were not all swells. Coward also depicted regular middle-class folk (such as in "Brief Encounter," about an intense but unconsummated extramarital relationship). He championed patriotic British fortitude in wartime. And a few of his plays ("Design for Living," "The Vortex") were prescient reflections on sexual experimentation and drug addiction.
Eager to stage a musical tribute to Coward at Arizona Theatre Company, Goldstein found only two estate-sanctioned revues: "Oh, Coward!" (seen at Seattle Repertory Theatre in 1999) and "Cowardy Custard."
"Both were created when Coward was still alive," Goldstein notes. "They assume everybody knows him and his songs, but a lot of people today don't. Our show gives a loosely chronological overview of his career. We use entire songs, not medleys, and some dance, too."
More than 30 Coward songs are included in the show. Some familiar classics, like the archly iconic "Mad Dogs and Englishmen," made the cut. But the revue also offers such clever obscurities as the novelty tunes "London Is a Little Bit of Alright" and "What Ho! Mrs. Brisket."
And about 30 percent of the production is spoken, including an excerpt of "The Mideast Diaries," Coward's memoir about entertaining the troops in World War II. (He was also, briefly, an espionage agent for Britain.)
Also programmed: "20th Century Blues," a number from Coward's Oscar-winning 1933 movie "Cavalcade." An upstairs/downstairs chronicle of two British families over several decades, it was a favorite film of Adolf Hitler, of all people.
A favorite of Goldstein's is a highly acerbic ode to pessimism, "Bad Luck Is Just Around the Corner," which he claims "really resonates with what's going on in the world now."
To secure rights to the material for the debut run of "A Marvelous Party" at Chicago's Northlight Theatre, the company contacted Coward's executor and longtime companion, Graham Payn.
"He liked the idea but made two conditions," says Goldstein. "He said, 'You can't change any of the song lyrics. And you can't have anyone impersonate Noel Coward.' "
Blessed by Payn, "A Marvelous Party" was a 2005 hit at Northlight, and won four local Jefferson Awards (including a directing honor for Goldstein). Payn died that same year.
The piece has since been presented at many other companies — in Boston, New York, California and, of course, Arizona; it won a Los Angeles Drama Critics Circle prize.
ACT's cast of Seattle favorites includes co-creators Anders and Lauris, joined by Richard Gray and David Silverman.
Goldstein has staged "A Marvelous Party" eight times himself but claims he still doesn't tire of it.
"Coward's songs are not for dumb people," he says. "We're talking about wit, sophistication and classiness — which our society could use a lot more of."
Misha Berson: mberson@seattletimes.com
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The Thermals
Artist: The Thermals
Genre(s):
Indie
Discography:
The Body The Blood The Machine
Year: 2006
Tracks: 10
Fuckin A
Year: 2004
Tracks: 12
More Parts Per Million
Year: 2003
Tracks: 13
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